Women's Medieval
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16th c. Saxon Gown by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes to make the Woman's Saxon Gown, commonly referred to as "The Cranach Gown", a German noblewoman's gown popular in the 16th c. High neck and low neck variations included. Fits busts 30 1/2" -48" and waists 23"-41". All sizes included in one envelope HR501............$25.00
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16th c. Commonwoman's ("Kampfrau") Gown by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for 1520s Landsknecht Kamkpfrau Gown. All sizes in one envelope. Fits busts 30 1/2" -48" and waists 23"-41". HR504............$25.00
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14th - 17th c. Cloth Hose, Boot Hose, Netherstocks by Reconstructing History Full-size paper patterns with complete instructions and historical notes for 14th through 17th c. cloth hose, boot hose and netherstocks (fabric, not knitted). All sizes in one envelope. Fits calves up to 17" with instructions on how to adjust for larger calves. Embellishment suggestions included. HR001..........$15.00
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English Jacket and Petticote
by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for Women's Upper Class English Jacket and Petticote (jacket and skirt) with high or low neck, narrow sleeves, and contiguous gored skirting appropriate for the late 16th and early 17th c. Petticote options include hooked or tied waistband with slits for pocket access. Both Upper and Lower class instructions included. All sizes in one envelope. Fits busts 30 1/2" -48" and waists 23"-41". HR201........$25.00
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Late Elizabethan Loose Gowns
by Reconstructing History Full size paper patterns for Elizabethan and Jacobean Loose Gowns based on extant examples in the Isham Collection. Gowns feature an open front, epaulettes, and a stiff inner yoke to which the gown in pleated for support. Chose from two different styles of hanging sleeves or a sleeveless version. Historical notes and Embellishment suggestions are included. All sizes in one package fits bust 30 1/2 -48".
HR202.........$25.00
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Late Elizabethan Corsets by Reconstructing History Full size paper patterns for late Elizabethan Corsets based on two extant English examples. View A based on the pair of bodys belonging to the Pfalzgrafin Dorothea Sabina von Neuberg in 1598 are front boned, five piece bodys featuring a static front busk, integral shoulder straps, back laced closure, and separate tabs at the waist. View B,. based on the corset worn by the effigy of Queen Elizabeth in Westminster Cathedral, featurea s front opening and integral waist tabs. Historical notes and Embellishment suggestions included. All sizes in one envelope. Fits busts 30 1/2" -48" and waists 23"-41". HR203.......$15.00
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Closed Loose Gown, Kirtle and Sleeves by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for Tudor and Elizabethan Loose Gowns based on extant examples in the Germanisches Nationalmuseum, Nurnberg, Germany. Kirtle features interlining for shape, applied decoration, eyelet back closure, and tie-on sleeves. Gown can be made either full length or calf length and features a straight or cut away front, applied decoration, natural or padded sleeves, and a stand collar. Also included Detailed instructions with copious illustrations. All sizes in one envelope. Fits busts 30 1/2" -48" and waists 23"-41" and is easily adaptable to larger figures. HR204............$30.00
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Women's 16th c. Bodice and Petticote by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for English, French and Dutchwomen's bodices and petticotes from c.1630. Included are low, open front, bodice to be worn with stomacher or closed, high front, boned or stiffened lining, wide or narrow sleeves with optional paning, contiguous gored or attached tabbed skirting. Petticote options include hooked or tied waistband with slits for pocket access. Upper and lower class instructions included. All sizes in one envelope. Fits busts 30 1/2" -48" and waists 23"-41" and is easily adaptable to larger figures. HR101............$25.00
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Women's 1600-1660s Caps by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for coifs, forehead cloths, two versions of the Dutch cap, Hollar cap and Diadem cap. One size fits all. HR102..........$14.00
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Men's and women's 1630s Collars and Cuffs by Reconstructing History Full size paper patterns with complete instructions, embellishment suggestions and historical notes for men's falling band, men's and women's gollila, women's collar extensions, kerchief and whisk and matching cuffs. Reconstruction History has taken the math out of clocked collars! All pattern pieces are complete and so easy, even a beginner can make beautiful collars and cuffs the first time. All neck sizes available for men and women in one envelope. HR103............$16.00
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Men's and Women's 1600s Shirt and Shift by Reconstructing
History
Full size paper patterns with complete instructions, historical notes and embellishments for men's and women's shirts. Variations include three different sleeves and two collar options. Wider, noble shirt options also included. Multisized to fit chests 32" to 60"
HR104..............$20.00
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The Shinrone Gown
by Reconstructing History Full size paper patterns with complete instructions, historical notes and embellishments for making a replica of the Shinrone gown bog find with open, darted bodice, hanging sleeves and standing collar. Fits busts 30 1/2" -48" and waists 23"-41" with instructions to alter for larger or smaller sizes and the waistband is expandable to accommodate pregnancy. HR301.............$30.00
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The Woman's Leine or Irish Chemise
by Reconstructing History Full size paper patterns with complete instructions, historical notes and embellishments for making this woman's leine or Irish chemise with options for modern or 16th c. fabric widths. All sizes in one envelope. Fits up to 48" chest with instructions to fit larger chests. HR302............$15.00
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People of Medieval Gothic Period c. 1240 and 1320 from
La Fleur de Lyse Pattern
includes everything to make each of the 3 sets of clothing illustrated
(Left) and the peasants versions.
Historical notes about fabrics, colours, trims, sewing stitches,
hairstyling and hair trims. MAG1314...........$20.00
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Women
of Medieval Romanesque Period 1060
1150
4
Variations included two for the Lady and 2 for the Peasant look. Sizes
SXL MAR1001 ..$16.00
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1500- 1630 Round Kirtle by the Mantua Maker Comfortable clothes in the fashionable set of the Renaissance may sound unlikely, but the kirtle fits this description. The kirtle of the 1550s might be cut loose and long, from the shoulder to the floor, or cut with a waist seam for a closer fit at the torso. It was worn under Loose Gown , and might be considered en dishabille - or something that was normally (though not always) worn as comfortable indoor clothing. This was a middle and upper class garment, and would only have been worn by lower class women as a third- or fourth-hand castoff. Three variations included. All three may be made with a front or back opening. Sleeves may be set in, or made detachable. Sized petite (bust 28"-32") through xlg (bust 47"-52") inclusive. 1500-3............$25.00
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1500- 1630 French Gown by the Mantua Maker
Beautiful Renaissance gown with several sleeve variations. Multi-sized petite to xlarge inclusive. Excellent value, excellent engineering, excellent historical accuracy 1500-5............$25.00
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Beer Maiden Bodice This is a basic ladies' vest fitted at the bust with
curved seams. The pattern comes with a 24 by 36 inch blueprinted pattern
sheet and an illustrated instruction manual which explains how to adapt
the pattern for a variety of renaissance and fantasy looks by adding
sleeves, skirts, and modesty panels.
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Yoked Cloak
This is a hooded half-circle cape fitted at the shoulder with a rounded yoke. This pattern includes full-size hood and yoke pieces on a 24 by 36 inch sheet with illustrated directions for cutting the cape body (which is too large to include on the pattern sheet). The cape in the picture above was made with red piping to show you the seam locations. MR-7.........$8.00 |
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Collection of Capes
This package includes Randwulf's 4-Panel Cape, a full-size pattern for an
approximately half-circle cape with hood and four different collars. The
pattern is printed on two 36 by 48-inch blueprinted sheets. Also included is
a new draft of Randwulf's Yoked Cloak and a 17-page instruction manual with
directions for building the 4-panel cape with or without the pattern, adding
a circular capelet, building a one-panel half-circle cape with darted
shoulders, and building a medieval cowl. MR-8.........$20.00 |
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The Manta Maker's Spanish Farthingale 1480 - 1600 The perfect compliment to the Quilted Bodies and the Spanish Loose Gown, the farthngale is a hooped petticoat worn over the chemise and bodies, under a kirtle and gown. To fit sizes Petite (32" bust)- X Large (52" bust) all in same packet. 1500-1........$19.00
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The Mantua Maker's
1550-1630
Quilted Pair of Bodies An
historically accurate, well-engineered Renaissance corset pattern with four
variations: a back closure, partially boned, long front with tabs added
after binding; a back closure, fully boned, long front with tabs; a back
closure, fully boned, shallow front without tabs; and a front closure, fully
boned, long front without tabs. Cup size variations are included, along with
boning, lacing suggestions, variations, great historical notes and period
sewing techniques. Sized 2 through 30 inclusive. Simply a must-have for the
serious Renaissance enthusiast. 1500-4
..$25.00
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The Manuta-Maker's Spanish Loose Gown 1500 - 1630 Fasten up the front, or leave it open. Lined or unlined. Six sleeve options. With or without shoulder wings. With or without collar. Variations and decoration ideas. To fit sizes Petite (32" bust)- X Large (52" bust) all in same packet. 1500-2.........$28.50 |
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Sideless Gowns by Rocking Horse Farm This multi-sized pattern includes Small thru Queen. (Misses' Sizes 8-26). Pieces included are the undergown, sideless gown and headpiece. RH140.............$16.00
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Houppelande for Men and Women by Rocking Horse Farm Classic Houppelande Pattern multi-sized for both men and women: Women's Small thru Queen (Misses' 8-26) Men's Small thru King (Chest sizes 34-52). RH141............$13.00
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Kirtle by Rocking Horse Farm 15th century low-necked fitted informal dress. All sizes included RH143.......$13.00 |
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Sleeveless Surcoat by Rocking Horse Farm Ladies 16th century surcoat. All sizes included. RH144.........$13.00
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Shirt by Rocking Horse Farm Men's or Ladies' shirt with 14th, 15th and 16th century collar variations. All sizes included. RH146..........$13.00
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Hennins Double and Single Patterns D. L. Designs Chosen by Queens and their courts, prohibited by wearing of the middle classes. Size -Women's packet only DL131 - Single.............$12.00 DL132 - Double ..........$12.00
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Fantasy Fashion Renaissance Maiden Pattern includes basic chemise used under most medieval and Renaissance costumes. Also laced bodice, hat and bag to make a complete Faire outfit. Women's multisized - Small through large FF02 ........... $12.00 |
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11th Century Woman Woman's Medieval Tunic, supertunic and veil. Multisized bust 32-48 CC1102W.......$16.00 |
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Late 14th Century Woman Late 14th c. Kirtle and sideless gown. Multisized 32-48 bust CC1406W......$16.00
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Renaissance Common Woman Pattern includes bodice, chemise and skirt multisized 32-48 bust CC1602......$16.00
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Early Tudor Woman Pattern includes petticoat, front, under sleeve, gown with bell or puffed sleeve, cuffed sleeve, and laced sleeve. Multisized 32-48 CC1603W......$16.00 |
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Cavalier Woman Pattern includes gown bodice, skirt, collar, cuffs, stomacher & sash. Multi-sized 32-48 bust CC1702W.......$16.00 |
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Fantasy Fashions Headwear Extraordinaire Contains patterns for three bag hats, flat cap, mob cap, Robin Hood Hat, jester's hood, wizard hat and Renaissance cap. Plus two 19th c. crowned bonnets suitable for Dickens events. One size adjustable. FF03..........$12.00
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Diadems D.L. Designs Inspired by the diadems of Greek and Roman times these shapes evoke a simple elegance that make them perfect for bridal headpieces or Renaissance wear. DL124...........$14.00
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M'Lady's
Corset by Folkwear
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1550
- 1840 Under Petticoat Instructions
for simple under petticoat designed to be worn over a hoop or under an over
petticoat, three hem variations are included along with quilting
instructions and adjustments for panniers. No pattern pieces, diagrams only.
Multi-sized petite to x-lg 1700-5 ..$6.00
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1600-1840
Chemise Also
known as a smock or shift.
Low, drawstring neckline.
Short or elbow length sleeves with underarm gusset.
Knee length hemline. 1800-1 $14.00
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Cotehardies
and Sideless Surcoats, c. 14th and 15th centuries, has 3 cotehardies and 4
sideless surcoats (sizes 6-20). Cotehardies
were worn by both sexes of all ages and classes for over 200 years,
from England to Bohemia, Norway to Spain. While there were regional
variations, the basic cut of the cotehardie was the same throughout Europe.
Originally a version of the tunic (Period
Patterns #16), cotehardies differed in sleeve cut, variations, and
tailor fit. Woman's cotehardies were fitted or even tight to the hips,
then flared to the hem. They most often had long tight sleeves.
They would be worn over a chemise (Period
Patterns no. 90). Men's cotehardies, worn long or short, were
initially tight to the hips, with long tight sleeves. They were worn
over a shirt (Period
Pattern no. 43) and hose (Period
Pattern no. 101), often with hoods. In the first half of the
14th century a major style change occurred. With the invention of
curved sleeve caps, gussets under the arm became unnecessary.
PP21........$24.95 |
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Houpelandes,
c. 1390-1460 A.D., has 6 houpelandes for either sex, with sleeves and
necklines interchangeable. The sleeves and cotehardie underneath are
faked, but the fake sleeves can be left off and replaced by a cotehardie or
a 2nd houpelande (sizes: woman's 8-18 & Men's 36-48 included
Houpelandes
were the last fashion which was found throughout Europe, as well as being
the last unisex fashion. This comfortable style, flowing from the
shoulder to the hem, apparently first developed in Italy around 1380, but by
1400 was found throughout Europe. Belted or loose, houpelandes were
usually worn over a cotehardie (Period Patterns nos. 21 & 23) ,a second
houpelande with tight sleeves, a chemise (Period Patterns no. 90) ,or shirt
(Period Patterns no. 43) and hose (Period Patterns no. 43 or 101). By
1450 there were many variations of this style, mostly of the sleeves,
neckline. Women's houpelandes were always floor-length, although men's
houpelandes varied from very short to very long. Only a few were
limited by sex or geographical location. By 1475 houpelandes were no
longer considered fashionable (although still occasionally seen).
Men's cotehardies had developed into doublets, and the houpelande became a
gown or robe often worn open down the front (Period Patterns #43 and 53). PP26........$24.95 |
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Women's Italian Renaissance Gowns, c. 1470-1505, provides patterns for 7 gowns & 1 tabard (sizes 8-18). Two have split skirts. underskirts, and stomachers, to fake an underdress. The underskirts and stomachers can be left off, replaced by a real underdress. Four of the gown patterns have sleeves that tie on. |
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Woman's
German Puff-and-Slash, c. 1500-1545 A.D., includes patterns for 6 gowns and
3 shoulder capes. Woman's styles in early Renaissance Germany developed from the Italian Renaissance styles but, like the men's fashions, went far beyond the Italian creations. Cartridge pleating was used extensively at the waist, and guards (trim of a contrasting fabric) became fashionable on the bodice and skirt. The bodice evolved one version with a cut-away front spanned by a bust band of another, elaborately decorated fabric, below which the bodice was laced together over the chemise (Period Patterns no. 90) or a plastron. High standing collars became popular. Sleeves were slashed in many different ways, although less wildly than the men's sleeves, and different styles were tied, laced or sewn on. The bustband was also occasionally slashed. The chemise showed under the slashes, and was often elaborately decorated when it showed at the neck. Decoration was rich, and jewels and metallic embroidery were often used. |
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Early Tudor Woman's gowns, c.
1490-1535, includes patterns for 5 gowns (sizes 6-20). The
Tudor period marked the beginning of the Renaissance in England, and
fashion (especially
after 1509) reflected
the change. Henry VII, who usurped the throne in 1485, was extremely
frugal, and fashion changed slowly during his reign. Henry VIII
inherited the throne with a large treasury at the age of 18, and the court
blossomed. He was insecure, aggressive, blatantly masculine and
suddenly extremely rich. All of which reflected in the opulent new fashions,
especially for men. During Henry's reign, styles for both sexes
combined elements of German, Spanish and Italian fashions, with heavy French
influence overall. The quintessence of what is usually thought of as
"Tudor" fashion is shown in view IV for men, and view V for women.
As
befitted their role in society, woman's fashions were somewhat less
flamboyant then the men's. The kirtle was almost identical to a
cotehardie (Period
Patterns no. 21),
with the addition of cuffs. The skirts started to be cut separately
from the bodice, with the cut of the bodice neck line becoming square.
The adoption of tight corsets and Spanish farthingales (Period
Patterns #90) early in Henry VIII's reign. The
style developed into the silhouette of a small cone inverted into a larger
one. To allow more variety, the underskirt and under sleeves we not
sewn to the gown. PP51........$24.95 |
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Late
Tudor and Elizabethan Gowns, c.
1545-1610,
contains patterns for 3 Late Tudor gowns and 3 Elizabethan gowns. The
stomacher, underskirts and undersleeves are not sewn to the gowns (sizes
8-18 included). The late Tutor period was a time of transition and uncertainty with 3 rulers in 11 years (not to mention Lady Jane Grey, who only ruled for 9 days), and the country endured violent switches from Protestant to Catholic and back to Protestant again. Very few new elements of woman's style appeared during Edward's short reign. During Mary's reign, through her marriage to Phillip, Spanish styles (favoring dark colors) were reintroduced, but the basics of the previous styles remained the same, and men's fashions were more flamboyant than women's. The elements of women's styles, including the Spanish farthingale (Period Pattern no. 90), lasted into the 1570's. However, under Elizabeth's rule woman's fashions came to dominate the court. In the 1570's the drum farthingale (Period Patterns #90) radically changed the shape of woman's skirts. Other less sweeping changes also occurred, such as the high standing ruffs. "Elizabethan" styles lasted well after her death in 1603 - the new king saw no reason to pay for new clothes for his queen when Elizabeth had left such an extensive, ornate wardrobe. |
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Women's Undergarments, Ruffs, Collars & Cuffs., offers patterns for 5 chemises, 2 corsets 2 partelets, 2 ruffs, 2 bumrolls, 3 collars and cuffs (sizes 8-18 included). Chemises were worn for comfort, to keep body dirt off the outer clothes, and for sleeping. They were also often allowed to show for decoration at the neck, wrist and/or through slashes in the sleeve (Period Patterns nos. 41, 51 & 56). Corsets, farthingales (hooped petticoats) and bumrolls reshaped the body into a fashionable silhouette. These undergarments as well as partelets, ruffs, collars and cuffs were worn for style and social status (the more elaborate and constricting a piece of clothing was, the less practical, thus denoting the higher status of the wearer). Many styles are not complete without the proper undergarments, and others will not have the right shape. PP90......$24.95
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Capes and Tabards., c. 650-1650, provides patterns for 13 capes, 3 separate hoods, a tabard, small capelet, and a ganache (sized for chests 16" to 54"). Throughout the "dark ages" (the early medieval period) capes were indispensable for protection against the weather, as well as fashionable articles of clothing in their own right. They were worn by both sexes of all classes and ages. While there were some variations, the same basic capes were found throughout extended Europe. In the Middle Ages the cut of capes became more sophisticated, and many new variations appeared. Tabards and ganaches reflected the growing preoccupation with fit and fashion. In the Renaissance, these changes led to capes often being reduced to more of a fashion accessory than serious protection against cold or wet weather. PP92........$24.95 |
| Medieval Footwear by Talbot's Fine Accessories
All manuals have one pattern included. |
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Medieval Shoes A manual for the construction of the 14th century shoes. Pattern included SHOES-01........$6.00 |
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Supplement to Medieval Shoes Five additional patterns to be used with above manual. SHOES-02.......$6.00 |
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Medieval Boots A manual for the construction of a pair of 15th century boots with instructions to adapt to patterns of any other period. SHOES-03......$6.00 |
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15th Century Supplement Six patterns to be used with the manual above. SHOES-04......$6.00 |
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Medieval Turn Shoes A manual designed to provide the reader with simple instructions to make simple cloth or leather shoes. Not for use with the supplements. SHOES-05.......$6.00
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Viking boots A manual for the construction of a pair of Viking ankle boots. SHOES-06.....$6.00 |
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Viking, Celtic & Anglo-Danish Supplement six patterns to be used with any of the manuals above. SHOES-07..........$6.00
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12th Century Supplement Six patterns to be used with one of the manuals; Medieval Boots, Medieval Shoes or Viking Boots. SHOES-08.........$6.00 |